Nature photographer Erez Marom shares the story of his image 'Spot the Shark', taken at Breiðamerkursandur - 'the ice beach' in Iceland. In this article he explains how he set up and took the picture, and the post-processing steps required to get to the final result. Click through for the full story.
When Panasonic came to see us recently in our Seattle offices we were expecting the much-rumored LX8. That didn't happen, but what we saw was quite a surprise. The LX100 is one of Panasonic's most ambitious cameras yet, marrying a Four Thirds sensor with a 24-75mm (equivalent) F1.7-2.8 lens, in a body not much bigger than that of the LX7. Full manual control, a built-in EVF and 4K video round-out the specification sheet nicely. Click through for a hands-on tour of the new camera.
One swallow does not a summer make, said Aristotle, suggesting the dangers of looking for trends based on single examples. Even with this in mind, I'm pleased to see two manufacturers introduce 70-200mm equivalent zooms for APS-C cameras at this year's Photokina. First Fujifilm introduced its 50-140mm F2.8 R, and then Samsung followed suit with its 50-150mm F2.8 S. I think these lenses make more sense than actual 70-200mms; let me explain why...
One of the exciting new cameras here at Photokina is the Canon Powershot G7 X, a pocketable compact camera with a large 1"-type sensor. We caught up with Canon's Chuck Westfall who gave us an overview of the G7 X and let us know when it should be available. See video
With the introduction of the NX1 mirrorless camera, Samsung has put a stake in the ground of the photography market. We stop by the Samsung booth to learn more about the NX1, a new 50-150mm F2.8 image stabilized lens, and also get a peek at the company's "technology demonstration" 300mm F2.8 lens. See video